A cruise ship stranded, temporary memorials, face masks, empty cities … Coronavirus has transformed Australia and these images tell the story.
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Articles on Photography
Displaying 101 - 120 of 255 articles
They began as wartime technology, but now drones are changing the way we witness the world, especially when we can’t see it for ourselves.
In 19th-century France, even photographs of hospitals and bridges could become propaganda.
The Body Electric features ground-breaking photography and video from the 1960s, 70s and 80s, alongside more recent work from Australian and international artists.
Exclusive: the recent discovery of probably the oldest known surviving photograph of a Māori sheds light on the remarkable subject of Taika Waititi’s new film project.
What does an artist do when the subject is a disease as much as a person, and when the disease then subsumes the person – to the point where he can’t recognize his own son?
From Madonna and child to fierce matriarch, mothers have appeared in frame since photography began – even it sometimes they are just part of the furniture.
The Head On Photo Festival showcases documentary photography. Luckily, it’s an artform that lends itself well to online display and celebration.
As cities, galleries and tourist destinations shut down across the world, news photographers are showing us our world anew.
Photographic works drawn from the Art Gallery of New South Wales collection explore fakery, mirrors and tricks of the light. But Shadow Catchers stops short of today’s digital doppelgangers.
Largely self-taught, Adams learned to harness the communicative power of photography during his years as a marketing photographer.
Where once we subjected friends to post-holiday slideshows, now we share travel selfies live with a remote audience. This study teased out the tension between snapping and experiencing the trip.
Instagram bushfire images cut through our news fatigue. This developing brand of photojournalism brings authenticity and a different sense of proximity.
An archive project is restoring the secret history of Namibia’s resistance music culture from the 1950s to the late 1980s – suppressed and censored during apartheid but now touring the world.
When journalists don’t interact with the public, they risk relying on existing narratives and experiences to inform their coverage.
Just as domestic violence was once misunderstood and tolerated, many today fail to grasp how nude photographs can be wielded as weapons of abuse.
30 years after the fall of the Berlin Wall, covert surveillance images offer us an unparalleled look at the lives of people trying to escape from the east to the west.
Like the ‘Rocky Steps,’ the ‘Joker Stairs’ have become a mecca for moviegoers. But not all film-related tourism is the same.
A rare set of photographs of South Africa’s most famous jazz ensemble, the Blue Notes, has added valuable insights to the music archive
Many of the world’s greatest photographers focus on our shared human experience in a milestone exhibition.
Top contributors
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Associate Professor Visual Communication, University of Technology Sydney
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Associate Professor, UNSW Art & Design, UNSW Sydney
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Senior Lecturer in Visual Communication & Digital Media, RMIT University
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Senior Lecturer of art history, Griffith University
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Senior Lecturer, Visual Communication, School of Design, University of Technology Sydney
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Wesfarmers Chair of Australian History, The University of Western Australia
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Professor & Dean, School of Media and Communication, RMIT University
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Honorary Lecturer, School of Literature, Languages and Linguistics, Australian National University
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Joanna Mendelssohn is a Friend of The Conversation.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Ph.D. Candidate in English, The University of Texas at Austin
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Junior Research Fellow in Art History, University of Oxford
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Professor of Planetary Geosciences, The Open University
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Honorary Senior Lecturer, Australian National University
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Professor, School of Art, RMIT University
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Oak Foundation Lecturer in History of Dress and Textiles, Courtauld Institute of Art
