Status anxiety and conspicuous consumption generate a dazzling, often surreal poetry in F. Scott Fitzgerald’s The Great Gatsby. But Gatsby’s rise and fall exposes deep fissures underlying the American Dream.
It’s one of the largest prison escapes in world history and it’s through fiction we can understand the tragedy, from both an Australian and Japanese perspective.
The omniscient narrator is alive and well in fiction. Kim Scott’s most recent novel uses a collective narrative voice that encompasses the landscape as well as the human.
True crime-related storytelling has shrugged off its former low-brow baggage. Two recent Australian books show how victims’ stories can be told sensitively and humanely.
As the daughter in a Jewish family fleeing the Nazis, Judith Kerr’s childhood was change, upheaval and deprivation. But this ‘clever refugee girl’ made her mark, creating stories of ideal childhood.
The world’s highest selling writer says 22-hour working days are the route to literary riches. But, say, our literary experts, there’s more than one way to skin a cat.
Stephanie Bishop’s latest novel demonstrates a sophisticated approach to the relationship between time and narrative: novelists and aspiring writers would do well to look closely at her achievement.
Her novels and essays, especially Small Island and The Long Song, brought Britain’s slave-owning colonial history home to ordinary Britons, black and white alike.
Scientists can be under-appreciated in Australian culture. Here are eight great fictional scientists to get you thinking about labs, test tubes and bold experiments.